RECUEIL DE PIECES POUR ENSEMBLE FLEXIBLE AVEC CD
ARRANGEUR: MARTIN TOURISH
STYLE: Musique du Monde
NIVEAU: 2me Cycle
COMMENTAIRE: Type de formation: Edition with CD, 1st part in C (violin, flute, accordion, treble recorder)
1st part in Bb (clarinet, trumpet, tenor saxophone)
1st part in Eb (alto saxophone)
2nd part in C (violin, flute, accordion)
2nd part in Bb (clarinet, trumpet, tenor saxophone)
2nd part in Eb (alto saxophone)
piano
bass
Bodhrán
The parts are included on the MP3-CD as digital files to enable an easier and more flexible usage.
1st part in Bb (clarinet, trumpet, tenor saxophone)
1st part in Eb (alto saxophone)
2nd part in C (violin, flute, accordion)
2nd part in Bb (clarinet, trumpet, tenor saxophone)
2nd part in Eb (alto saxophone)
piano
bass
Bodhrán
The parts are included on the MP3-CD as digital files to enable an easier and more flexible usage.
Parties et conducteur
Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments.
“World Music – Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often “skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice.
The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes.
“World Music – Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often “skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice.
The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes.
CONTENU: Trad. Cornish: De-Sul Vyttyn
-Trad. Scottish: The New Rigged Ship ·
-Trad. Welsh: Bet yw'r Haf i Mi?
- Trad. Irish: Tabhair dom do Lamh
-Trad. Breton: Danse Macabre
-Trad. Scottish: The Athol Highlanders
-Trad. Welsh: Merch Megan
-Trad. Irish: The Forgotten Highlands
Référence
UE36470