SELECTION D'AIRS D'OPERA POUR CHANT ET PIANO
AUTEUR: COLLECTIF
STYLE: Classique
COMMENTAIRE: Une seule partition fournie.
TITRES: J. Adams: I must have been hysterical (The Death of Kinghoffer) / Am I in your light? (Doctor Atomic) / Past fierce and tossing skies (Doctor Atomic)
/ La anunciación (El Niño);
D. Argento: On the stroke of midnight! (The Aspern Papers) / Bellino's Aria (Casanova's Homecoming) / Madame d'Urfe's Aria (Casanova's Homecoming) / Was it truly destiny (The Dream of Valentino) / Nazimova's Aria (The Dream of Valentino) / Estella's Aria (Miss Havisham's Fire) / A Foreign Singer's Aria (Postcard from Morocco);
L. Bernstein: Thank You (Mass) / There is a garden (Trouble in Tahiti) / What a movie! (Trouble in Tahiti)
B. Britten: Doctor Jessop's midwife (Albert Herring) / What would Missus Herring say? (Albert Herring) / Lysander, Help me Lysander (A Midsummer Night's Dream) / She sleeps as a rose upon the night (The Rape of Lucretia) / Give him this orchid (The Rape of Lucretia) / Is it all? (The Rape of Lucretia)
A. Copland: Ma's Song (The Tender Land)
C. Floyd: Take off that frown (Wuthering Heights)
J. Gay (realised by B. Britten): Thus when a good housewife sees a rat... How cruel are the traytors (The Beggar's Opera)
H. Purcell (realised by B. Britten and I. Holst): Ah! Belinda, I am prest with torment (Dido and Aeneas) / When I am laid in earth (Dido and Aeneas)
N. Rorem: Wind around me like Satan's snake (Miss Julie)
R. Strauss: Sein wir wieder gut (Ariadne auf Naxos) / Wie Du warst! (Der Rosenkavalier)
I. Stravinsky: The Mother's Aria (Mavra) / Nonn' erubeskite, reges (Oedipus Rex) / As I was saying... Scorned! Abused! (The Rake's Progress) / Sold! Annoyed! (The Rake's Progress)
D. Argento: On the stroke of midnight! (The Aspern Papers) / Bellino's Aria (Casanova's Homecoming) / Madame d'Urfe's Aria (Casanova's Homecoming) / Was it truly destiny (The Dream of Valentino) / Nazimova's Aria (The Dream of Valentino) / Estella's Aria (Miss Havisham's Fire) / A Foreign Singer's Aria (Postcard from Morocco);
L. Bernstein: Thank You (Mass) / There is a garden (Trouble in Tahiti) / What a movie! (Trouble in Tahiti)
B. Britten: Doctor Jessop's midwife (Albert Herring) / What would Missus Herring say? (Albert Herring) / Lysander, Help me Lysander (A Midsummer Night's Dream) / She sleeps as a rose upon the night (The Rape of Lucretia) / Give him this orchid (The Rape of Lucretia) / Is it all? (The Rape of Lucretia)
A. Copland: Ma's Song (The Tender Land)
C. Floyd: Take off that frown (Wuthering Heights)
J. Gay (realised by B. Britten): Thus when a good housewife sees a rat... How cruel are the traytors (The Beggar's Opera)
H. Purcell (realised by B. Britten and I. Holst): Ah! Belinda, I am prest with torment (Dido and Aeneas) / When I am laid in earth (Dido and Aeneas)
N. Rorem: Wind around me like Satan's snake (Miss Julie)
R. Strauss: Sein wir wieder gut (Ariadne auf Naxos) / Wie Du warst! (Der Rosenkavalier)
I. Stravinsky: The Mother's Aria (Mavra) / Nonn' erubeskite, reges (Oedipus Rex) / As I was saying... Scorned! Abused! (The Rake's Progress) / Sold! Annoyed! (The Rake's Progress)
Référence
BHI93463